MASTERPROEF
KU Leuven Sint-Lucas Gent 2020-2021
Virginie Lemaitre
'A GENEROUS HOMESTAY' // ON CONTINUITY AND IDENTITY
INTENTIEVERKLARING
INDIVIDUEEL TRAJECT
ONDERZOEKSVRAAG
'Op welke manier is het mogelijk om op een eerbare wijze de symboliek van lichaamsmodificatie over te zetten van huid naar voorwerpen?'
Genereuze woning
Foreign Egypt. Egyptology and the Concept of Cultural Appropriation
Traditional Ways of Dealing with Climate in Egypt
New Light on the History of Lower Nubia
MODERN PARALLELS FOR ANCIENT EGYPTIAN TATTOOING
ALGEMEEN
Tattooing and Scarification in Ancient Nubia
The Practice of Tattooing in Ancient Egypt and Nubia
AE Ink: Investigating the Mechanics and Meanings of Ancient Egyptian Tattoos
Body Language: Tattooing and Branding in Ancient Mesopotamia
KU Leuven opdrachtfiche
Dawar El Ezba Cultural Center | Ahmed Hossam Saafan
Why do so many Egyptian statues have broken noses |
Julia Wolkoff
Creatures of Australian folklore |
Trent Jansen
Community Center Bangladesh | Anna Heringer
Dakar Houses for Moroso furniture makers in Senegal | Marc Thorpel
Desert Cast | Jassim Al Nashmi, Kawther Al Saffar,
Ricardas Blazukas
Mediterranean modernism | Richard England
La Voûte Nubienne | Dezeen
Tradities en rituelen
Literatuur
MODIFICATIE
Referentieprojecten
Traditional scarification |Malek Deng
Meanings of Ancient
Egyptian Tattoos |
Jennifer Paszik
Tattooing in Ancient Nubia | Erin Ingram
A History Of The Nubian People |
Hometeam History
"Architects are not just relaxed about cultural appropriation, we're experts" |
James Anaya
miniature chocolate versions of Sicilian farming tools | Salvatore Spataro
Mirage | El Seed
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